Miroslav Tichý:Les formes du vrai/Forms of truth - Gianfranco Sanguinetti Like the Prague exhibition that provided the opportunity to publish it, this book is the 'explosive' result of the meeting between two personalities with a heretical reputation: the great photographer Miroslav Tichý and the former situationist Gianfranco Sanguinetti. Both are better known internationally than they are in the Czech Republic. Their paths were destined to cross - simply for the originality and radical nature of their approach to life. Tichý's work inspired Sanguinetti to make critical and riveting insights into the art of our age. While his comments may fuel polemical debate, they cannot leave the reader indifferent. The photographs by Tichý that are being presented for the first time in this book and at the City Gallery Prague represent a strict selection that prioritises the eloquence of symbols that pervade Tichý's work and which are, according to Sanguinetti, the key to his art. z kategorie Knihy | Odborná literatura | Umění a Architektura | Umělecká fotografie od Kant naleznete ne e-shopu KnihyDobrovsky.cz! Miroslav Tichý - Formy pravdy, odkrývá talent tohoto umělce v zajímavě pojaté knize o pravdě. Hounded by the Czech Communist regime in the 1960s, the controversial photographer Miroslav Tich (born 1926) has today found acclaim for his photographs of women taken with homemade cameras. This handsomely produced Tich monograph is unique among Tichy publications for two reasons: firstly because the photographs, drawn from private collections, are all previously unpublished; and secondly because it is conceived and authored by the Italian former Situationist Gianfranco Sanguinetti, who has likewise come into conflict with state authorities, having been deported from France and Italy several times for his work with Guy Debord. The bulk of the photographs in this volume are derived from Sanguinetti's Tich collection, and are prefaced with a lengthy meditation on the photographer by Sanguinetti, who declares his admiration for Tich 's personal and artistic disregard for social conventions, and the anti-modernist ch