David Hockney, Martin Gayford: A History of Pictures: From the Cave to the Computer Screen

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For us to understand how we see the world around us – and hence ourselves – what is needed is a history of pictures. This is that book. David Hockney and Martin Gayford discuss the 30,000-year-old history of pictures in one brilliantly original volume ‘The history of pictures begins in the caves and ends, at the moment, with the computer screen. Who knows where it will go next? But one thing is certain, the challenge remains the same: how do you represent the three-dimensional world on a two-dimensional surface?’ – David Hockney Informed and energized by a lifetime of painting, drawing and making images with cameras, Hockney, in collaboration with the art critic Martin Gayford, explores how and why pictures have been made. What makes marks on a flat surface interesting? How do you show movement in a still picture, and how do films and television connect with old masters? What are the ways in which time and space can be condensed into a static image? What do pictures show – truth or lies? Do photographs present the world as we experience it? Juxtaposing a rich variety of images – a still from a Disney cartoon with a print by Hiroshige, a scene from an Eisenstein film with a Velázquez painting – the authors cross the normal boundaries between high culture and popular entertainment, and make unexpected connections across time and media. Building on Hockney’s groundbreaking book Secret Knowledge, they argue that film, photography, painting and drawing are deeply interconnected. Insightful and thought-provoking, A History of Pictures is an important contribution to our appreciation of how we represent our reality. David Hockney is the world’s most popular artist. Martin Gayford’s books include 'Man with a Blue Scarf', 'A Bigger Message' and 'Rendez-vous with Art' (with Philippe de Montebello), all published by Thames & Hudson. The making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. Two-thirds of it is irrevocably lost, since the earliest images known to us are from about 40,000 years ago. But what a 40,000 years, explored here by David Hockney and Martin Gayford in a brilliantly original book. They privilege no medium, or period, or style, but instead, in 16 chapters, discuss how and why pictures have been made, and insistently link ‘art’ to human skills and human needs. Each chapter addresses an important question: What happens when we try to express reality in two dimensions? Why is the ‘Mona Lisa’ beautiful and why are shadows so rarely found in Chinese, Japanese and Persian painting? Why are optical projections always going to be more beautiful than HD television can ever be? How have the makers of images depicted movement? What makes marks on a flat surface interesting? Energized by two lifetimes of looking at pictures, combined with a great artist’s 70-year experience of experimentation as he makes them, this profoundly moving and enlightening volume will be the art book of the deca